Book Choices - September 2012

THE BOY WITH THE TOP KNOT by Sathnam Sanghera

It's 1979, I'm three years old, and like all breakfast times during my youth it begins with Mum combing my hair, a ritual for which I have to sit down on the second-hand, floral-patterned settee, and lean forward, like I'm presenting myself for execution.

For Sathnam Sanghera, growing up in Wolverhampton in the eighties was a confusing business. On the one hand, these were the heady days of George Michael mix-tapes, Dallas on TV and, if he was lucky, the occasional Bounty Bar. On the other, there was his wardrobe of tartan smocks, his 30p-an-hour job at the local sewing factory and the ongoing challenge of how to tie the perfect top-knot.

And then there was his family, whose strange and often difficult behaviour he took for granted until, at the age of twenty-four, Sathnam made a discovery that changed everything he ever thought he knew about them. Equipped with breathtaking courage and a glorious sense of humour, he embarks on a journey into their extraordinary past - from his father's harsh life in rural Punjab to the steps of the Wolverhampton Tourist Office - trying to make sense of a life lived among secrets.

THE ENGLISH PATIENT by Michael Ondaatje

The English Patient is a 1992 novel by Sri Lankan-Canadian novelist Michael Ondaatje. The story deals with the gradually revealed histories of a critically burned English accented Hungarian man, his Canadian nurse, a Canadian-Italian thief, and an Indian sapper in the British Army as they live out the end of World War II in an Italian villa. The novel won the Canadian Governor General's Award and the Booker Prize for fiction. The novel was adapted into an award-winning film of the same name in 1996. The narrative is non-linear and the main characters are examined in depth and detail.

The film stars Ralph Fiennes so you can imagine him as you read the book!

TARA ROAD by Maeve Binchy

(In honour of Maeve Binchy who died last month)

Ria Lynch and Marilyn Vine have never met. Their lives have almost nothing in common. Ria lives in a big ramshackle house in Tara Road, Dublin, which is filled day and night with the family and friends on whom she depends. Marilyn lives in a college town in Connecticut, New England, absorbed in her career, an in her life that is independent and private woman who is very much her own person. Two more unlikely friends would be hard to find. Yet a chance phone call brings them together and they decide to exchange homes for the summer. Ria goes to America in the hope that the change will give her space and courage to sort out the huge crisis threatening to destroy her. Marilyn goes to Ireland to recover in peace and quiet from the tragedy which she keeps secret from the world, little realising that Tara Road will prove to be the least quiet place on earth. They borrow each other's houses, and during the course of that magical summer they find themselves borrowing something of each other's lives, until a story which began with loss and suffering grows into a story of discovery, unexpected friendship and new hope. By the time Ria and Marilyn eventually meet, they find that they have altered the course of each other's lives forever.