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‘Ladies’ of Ashendon (and adjoining villages) meet once every two months to discuss a book they have all read during the previous months. It is a lovely excuse just to get together and has certainly helped many members to rediscover the fine art of reading – i.e. it makes us pick up a book and read it.
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Alessandra is not
quite fifteen when her prosperous merchant father brings a young painter back
with him from Holland to adorn the walls of the new family chapel. She is
fascinated by his talents and envious of his abilities and opportunities to
paint to the glory of God. Soon her love of art and her lively independence are
luring her into closer involvement with all sorts of taboo areas of life. On
excursions into the streets of night-time Florence she observes a terrible evil
stalking the city and witnesses the rise of the fiery young priest, Savanarola,
who has set out to rid the city of vice, richness, even art itself.
The book's wily narrator and central character, Calliope Stephanides
(named after the muse of epic poetry) is a hermaphrodite raised as a girl who
comes to realise she is happier as a boy and is now living as a man in
contemporary Berlin. Cal's tale begins, appropriately enough, in Greece (or
more precisely Asia Minor)--an Aegean Strasbourg whose sovereignty is claimed
by Greece and Turkey. In 1922 brother and sister Lefty and Desdemona Stephanides
escaped their war-torn homeland and arrived, as man and wife, in Detroit,
America. It is this coupling that ultimately begets their grandchild Calliope
and her ambiguous sexuality, as she, or rather by then he, sanguinely notes:
This is a startling
memoir of a successful journalist's journey from the deserted and dusty mining
towns of the American Southwest, to an antique filled apartment on Park Avenue.
Jeanette Walls narrates her nomadic and adventurous childhood with her
dreaming, 'brilliant' but alcoholic parents.| 2005 | |
| Small Island | Andrea Levy |
| Short History of Tractors in Ukrainian | Marina Lewycka |
| Toast | Nigel Slater |
| Anna Karenina | Leo Tolstoy |
| 2006 | |
| Diary of an Ordinary Woman | Margaret Forster |
| Close Range | Annie Proulx |
| The Flame Trees of Thika | Elspeth Huxley |
| The End of the Affair | Graham Greene |
| Gentlemen and Players | Joanne Harris |
| 2007 | |
| The Island | Victoria Hislop |
| The Edible Woman | Margaret Attwood |
| The Time Traveler’s Wife | Audrey Niffenegger |
| The Other Boleyn Girl | Phillippa Gregory |
| 2008 | |
| Offshore | Penelope Fitzgerald |
| A Thousand Splendid Suns | Khaled Hosseini |
| Mr Pip | Lloyd Jones |
| The Mill on the Floss | George Eliot |
| The Sisterhood | Emily Barr |
| Notes from an Exhibition | by Patrick Gale |
| A Fine Balance | Rohinton Mistry |
| 2009 | |
| Remember Babylon | David Malouf |
| The Bolter | Frances Osborne |
| The Sandcastle | Iris Murdoch |
| Crossed Wires | Rosy Thornton |
| A Beginners Guide to Acting English | Shappi Khorsandi |
| 2010 | |
| The Boy in the Bush | DH Lawrence (and M.L. (Mollie Skinner) |
| Chains | Laurie Halse Anderson |
| Sense and Sensibility | Jane Austen |
| Suite Francais | Irene Nemirovsky |
| Pompeii | Robert Harris |
| The Girl with the Dragon Tattoo | Stieg Larsson |
| The White Woman on the Green Bicycle | Monique Roffey |
| 2011 | |
| The Concert Ticket | Olga Grushin |
| Three Cups of Tea | Greg Mortenson and David Oliver Relin |
| Cider with Rosie | Laurie Lee |
| Amsterdam | Ian McEwan |
| Pigeon English | Stephen Kelman |
| The Corrections | Jonathan Franzan |
| 2012 | |
| Little Women | Louisa May Alcott |
| The Red House | Mark Haddon |
| When God was a Rabbit | Sarah Winman |
| Scoop | Evelyn Waugh |
| The Boy with the Top Knot | Sathnam Sanghera |
| 2013 | |
| A Young Doctor's Notebook | Mikhail Bulgakov |
| Pure | Andrew Miller |
| Wolf Hall | Hilary Mantel |
| Fame is the Spur | Howard Spring |
| Three Men in a Boat (To Say Nothing of the Dog) | Jerome K Jerome |
| The 100 Year Old Man who Climbed Out the Window and Disappeared | Jonas Jonasson |
| 2014 | |
| Letters from Skye | Jessica Brockmole |
| Private Peaceful | Michael Morpurgo |
| Knots & Crosses | Ian Rankin |
| The Letter Bearer | Robert Allison |
| Speed of Dark | Elizabeth Moon |
| Hard Times | Charles Dickens |
| 2015 | |
| The Painter of Signs | R.K. Narayan |
| Every Day is for the Thief | Teju Cole |
| Sweet Tooth | Ian McEwan |
| Fried Green Tomatoes at The Whistle Stop Café | Fannie Flagg |
Sisters Ella and Roberta O'Callaghan haven't spoken for decades, torn apart by a dark family secret from their past. They both still live in the family's crumbling Irish mansion, communicating only through the terse and bitter notes they leave for each other in the hallway. But when their way of life is suddenly threatened by bankruptcy, Ella tries to save their home by opening a café in the ballroom – much to Roberta's disgust.
A novel that fearlessly explores the line between principled defiance and blind fanaticism, John Steinbeck's In Dubious Battle contains an introduction and notes by Warren French in Penguin Modern Classics.
Emma wakes up one morning to an apocalyptic world. The cozy existence she shares with her grandmother, an eccentric retired actress known to all as Madam, has been shattered: there's no post, no telephone, no radio - and an American warship sits in the harbor.The day Idgie Threadgoode and Ruth Jamison opened the Whistle Stop Cafe, the town took a turn for the better. It was the Depression and that cafe was a home from home for many of us. You could get eggs, grits, bacon, ham, coffee and a smile for 25 cents. Ruth was just the sweetest girl you ever met. And Idgie? She was a character, all right. You never saw anyone so headstrong. But how anybody could have thought she murdered that man is beyond me.
Fried Green Tomatoes at the Whistle Stop Cafe is a mouth-watering tale of love, laughter and mystery. It will lift your spirits and above all it'll remind you of the secret to life: friends. Best friends.
In the sleepy English village of Midwich, a mysterious silver object appears and all the inhabitants fall unconscious. A day later the object is gone and everyone awakens unharmed - except that all the women in the village are discovered to be pregnant.
The resultant children of Midwich do not belong to their parents: all are blonde, all are golden eyed. They grow up too fast and their minds exhibit frightening abilities that give them control over others and brings them into conflict with the villagers just as a chilling realisation dawns on the world outside . . .
The Midwich Cuckoos is the classic tale of aliens in our midst, exploring how we respond when confronted by those who are innately superior to us in every conceivable way.
Far from the Madding Crowd is perhaps the most pastoral of Hardy's Wessex novels. It tells the story of the young farmer Gabriel Oak and his love for and pursuit of the elusive Bathsheba Everdene, whose wayward nature leads her to both tragedy and true love. It tells of the dashing Sergeant Troy whose rakish philosophy of life was '...the past was yesterday; never, the day after'. And lastly, of the introverted and reclusive gentleman farmer, Mr Boldwood, whose love fills him with '...a fearful sense of exposure', when he first sets eyes on Bathsheba. The background of this tale is the Wessex countryside in all its moods.